VOICES REVIEW FROM THE U.K.
7/14/2009 12:00:00 AM
MAVERICK MAGAZINE, UNITED KINGDOM
Review by Arthur Wood
Various
Artists
VOICES
OF A GRATEFUL NATION
Presented by The Welcome Home Project
Volume
One: Texas Rock, Blues & Folk
Volume Two: Texas Country & Americana
Fathers, mothers, sisters, brothers
and friends, join to sing for soldiers
The Welcome Home
Project is a not-for-profit organization formed by a Texas-based group of music
and media professionals.
Production of these recordings is credited to drummer Jamie Oldaker
(Eric Clapton), while the associate producer is famed Austin musician, manager
and historian Craig Hillis (Moon Hill Management)—both are members of the
Project team. Both volumes were
released on Veteran's Day last year in the United States. In the main, the material featured is
by invitation, and has been especially composed. Each disc contains seventeen tracks, and the lyrics feature
voices of fathers, mothers, brothers, sisters, children, lovers and friends, as
well as (American) military personnel serving their nation in foreign
lands—both genders. They reflect
the joy (of a homecoming), sorrow (at the loss or maiming of a loved one) as
well as the hell-on-earth reality of daily live in a 'war zone.'
While Volume One
focuses on rock, blues and folk artists, there is a degree of crossover with
the country and Americana artists featured on Volume Two. For instance, Jesse Dayton opens the
first disc with a soldier's (and parent's) heartfelt tale I'm Comin' Home, then shares the lead vocal with Johnny Bush on
Volume Two's country-tinged Shippin' Out to Iraq Blues.
Rhythmically a blues, Welcome Home bears the composing credit, 'Donated by a Veteran,' opens with the
lines: "Sitting here in the VA, watching the wounded as they come home'
and is performed by Malford Milligan, Mike Cross and Carolyn Wonderland. Other noteworthy contributors to this
Project include Sally and Bukka Allen who harmonise on their song Everyone
Has Faded, while Terri Hendrix visits the
traditional Motherless Children,
and Ray Benson croons the WWII era standard, Till Then.
Arthur Wood